Friday, August 8, 2014

ne nepali killed in landslides in India, another injured

 One Nepali national has been reported killed and another injured in landslides in Pithauragadh district of India.
The deceased has been identified as Sobhan Singh Bohara of Baitedi district, according to police.
The injured is Rajesh Khadka of Belapur-9 in the district, according to District Police Office, Darchula.
The duo were part of a group of labourers transporting goods for Indian businessman Surendra Singh Bohara. Five other Indian nationals were also killed in the incident.
Many Nepalis from Darchula and Baitedi make their ends meet by working as transporters for Indian businessmen and the Indian Army across the border.

Eldery man loses 15 relatives to Sindhupalchok landslide

When Ram Chandra Neupane, 66, of Thokarpa in Sindhupalchok came to know about the landslide in Jure on Saturday morning, he headed straight to the incident. “I prayed all along the way wishing to see all of my sister’s family members,” he said, while preparing for the last rites of his relatives at Pashupati Aryaghat on Thursday, “But I returned halfway as I soon found out that I lost 15 of my relatives in the disaster.”
As an older man among those who gathered there, Neupane was consoling other while making a failed attempt to keep tears rolling down his cheeks. Barely able to speak, he was telling others to accept fate as what happened cannot be undone.
The bereaved relatives had decided to perform the final rites of the dead en masse by using effigies made out of Kush, a holy grass, after it seemed certain that the bodies could not be recovered. “I am tired of comforting others as the burden is too much to bear for myself and I cannot see and listen to the cries,” he said.
The bereaved families of people who went missing in the landslide have started performing the final rites after the local administration declared 123 missing as dead. The administration came to the conclusion after taking into consideration the nature of the disaster and realising the slim chances of finding the bodies. Even the families of the missing were demanding such decision as they lost hope of finding the bodies.
Though only 33 bodies have been found so far, the declaration has spiked the death toll to 156. The massive landslide, one of the worst natural disasters to hit the nation in recent years, displaced approximately 436 people, according to the preliminary report of the District Administration Office in Sindhupalchowk.
Meanwhile, the bereaved and the displaced have vented their ire at the government for the delay in the distribution of relief materials. However, claiming that they distributing relief materials swiftly, District Police Office chief DSP Bharat Bohora said they distributed relief materials to 97 households and would try to provide them to the remaining at the earliest.

Indian woman acquires Nepali MRP

 An Indian national is found to have acquired a Nepali passport and reached Kuwait for employment.
Eighteen-year-old Mingma Tamang, from Rhongeli in Sikkim successfully made it to Kuwait with the Machine Readable Passport ( MRP ) issued in the name of Nirumaya Pakhrin, 25, of Bara.
The Central Passport Office had issued the MRP on July 10, 2012. The matter had come to light when Mingma, who reached Kuwait via Delhi on May 30 last year, reached the Nepali Embassy for visa stamping on Wednesday.
“The passport was provided to me by an acquaintance named Yubaraj Chettri,” Minga said over the telephone call made from the embassy, expressing ignorance as to how or where they managed to obtain the police report and labour permission sticker. According to embassy officials, both the police report and the sticker on her passport were forged. According to Mingma, Yubaraj and his colleague Dawa Sherpa of Kolkatta had made all the arrangements for her flight to Kuwait . Mingma, who is currently living at the shelter in the embassy, said she realised that she was flying under someone else’ passport only upon reaching Delhi. She was made aware of her illegal status at the embassy.
Meanwhile, the embassy is preparing to correspond to the Ministry of Foreign Affairs for investigation into the matter. According to an embassy official, though Mingma had a Nepali passport, the embassy is preparing to get her on a flight
back to Delhi as she is an Indian national. “The number of people entering Kuwait with fake stickers and police report via Delhi has increased of late,” the officer said, adding that around 50 percent of the 200 females living at the embassy shelter had reached Kuwait via Delhi using fake documents.
Forty-year-old Devi Bhandari of Bardiya also returned home on Friday due to similar reasons. Bhandari claimed she went to Saudi Arabia via the same route three times without any hassles. The trend of sending women illegally to Kuwait is on the rise partly due to the ‘Visa 20’ provision, under which local employers
bear visa expenses and airfare, encouraging traffickers to send young girls to the country for certain amount of commission.

xperts explore alternate route along Araniko Highway

- Experts on Wednesday conducted an on-field study regarding opening an alternate way to the one-and-half -kilometer section of the Araniko Highway submerged by the damming of the Sunkoshi River due to the massive landslide that occurred at Jure Village of Mankha VDC in Sindhupalchok district last Saturday.
The section of the highway from Dam site at Mankha-1 and one and half kilometres beyond has been completely damaged disrupting vehicular movement.
A team of engineers led by Director General at the Department of Roads, Devendra Bahadur Karki, arrived at the site to make an on-site inspection and is carrying out a study regarding the possibility of opening an alternate road. Deputy Director Generals of the Department Keshav Sharma and Arjun Thapa are also in the team.
The section of the submerged highway would be able to operate if the water level in the artificial dam created due to the blockage of the river by the landslide is reduced by 50 percent, said Arun Kumar Sribastav, an engineer at the Division Road Office, Dolakha.
He said if it was not feasible to open an alternate route at the same place, there is another option of operating the Sildhunga-Piskar-Tauthali-Sunkoshi road or the Kharidhunga-Piskar-Dhuskun-Sunkoshi rural road as an alternative after their repair.
However, since these two rural roads are going to be long, an alternate road could be opened by extending the road linking the Dam Site to Tekanapur by constructing additional two kilometers road, he added.
Sribastav said that two engineers, a loader and an excavator have been kept stand-by in the affected area.

Damming dangers

It was as if nature had a message for the Indian Prime Minister Narendra Modi just before he began his Nepal visit earlier this week. The massive landslide in Sindhupalchok—which claimed many lives and property and threatened downstream human settlements as far as Bihar—was indeed a stark reminder that development and disaster can be a double-edged sword.
Not something unique
This is not to jump to the conclusion that the landslide was a result of rampant infrastructure development nor can we yet point fingers to extreme weather conditions. Seismic activities in the region make the picture even more complicated.
But this is also not something unique that has happened in the Hindu Kush Himalayan belt in recent years. What happened in the Hunja Valley of Pakistan in 2010, in India’s Uttarakhand last year, in Badakshan of Afghanistan in May and now in Nepal have something in common, although not all of them blocked river-flow. The intensity of the landslide—an entire chunk of a mountain along with rocks and big boulders coming down—has been the similarity.
Such disasters, which immediately claim lives and property in human settlements just below the mountains, are already tragic tales. They get far worse when they block rivers. A Damocles sword hangs over downstream populations and huge infrastructures. Disasters can strike at any time without warning. Remember how over 60 people were swept away by the flashflood in the Seti river in Kaski district two years ago?
Along the Pokhara-Baglung Highway, abandoned modern houses are still perched precariously on a cliff fast being eaten-up by the river below after it changed course since the disaster.
Landslide Dam Outburst Flood (LDOF) is an increasing risk in the region, although it may have received far less publicity than Glacial Lake Outburst Floods. Rapidly filling up glacial lakes due to the intensified meltdown of glaciers do pose threats; they can burst out their moraines. But they are not happening as frequently as landslides, although many such lakes in the Himalayan region remain unmonitored.
But that almost all Himalayan rivers in Nepal flow through gorges and valleys is a basic fact. Which means, they all are prone to landslide blockades. And if they cause major flashfloods, the repercussions will be felt as far as Bangladesh, let alone Bihar and Uttar Pradesh in India.
Mapping out basins
This time, Sunkoshi has been rather calm; it formed a lake following the landslide at Mankha in Sindupalchouk and then began to overflow the rock-soil dam. As of the time of writing, efforts were under way to increase the outflow to drain the lake.
But not all landslide-induced dams are so benign and flashfloods from them so slow that they provide time to communicate with Indian authorities and evacuate people downstream, as they did in nine districts of Bihar this time.
So, what needs to be done then? Mapping all the river basins with regards to landslide risks is crucial, particularly those that have human settlements and major infrastructures like roads, bridges, hydropower plants, among others, downstream. With one whole village buried under the landslide and five hydropower plants or transmission lines hit by the dammed Sunkosi water, what more lessons do we need?
The panic in Bihar is no less a lesson for the Indian side as well.
Moreover, now that the two sides have spelled out the development of specific hydropower projects in the joint press statement following Indian Prime Minister Modi’s Nepal visit, this homework becomes even more crucial. “The two Prime Ministers directed the concerned authorities to conclude negotiations within 45 days on the Project Development Agreement.....for the development of Upper Karnali hydropower project,” the statement read. “They expressed desire for early conclusion of other PDAs namely Arun III, Upper Marshyangdi and Tamakoshi III.”
According to the statement, “the two prime ministers agreed that their governments would set up the Pancheswor Development Authority within six months and finalise the DPR of Pancheswor Development Project and begin implementation of the project within one year.”
If all these projects are really moving ahead, their LDOF risks need to be assessed at the earliest. As the host nation, it is of course for Nepal to do the job—as it has done with water resources. In doing so, if it needs any help, India should be forthcoming as it will be doing so for its own safety.
The southern neighbour’s national action plan on climate change says: Since several other countries in the South Asia region share the Himalayan ecosystem, appropriate forms of scientific collaboration and exchange of information may be considered with them to enhance understanding of ecosystem changes and their effects. Even for India’s internal purpose, the document reads, “Adopt ‘best practice’ norms for infrastructure construction in mountain regions to avoid or minimise damage to sensitive ecosystems and despoiling of landscapes.”
If that is true for India’s own mountain regions, it is also true for Nepal’s because the rivers that flow through it contribute around 70 percent of the flow of the Ganges during lean season. So, should something go wrong in the Nepali river systems, downstream India will have to worry.
Working together
Although Bihar and Uttar Pradesh have long been concerned about floods ‘from Nepal’ mainly during the monsoon, the LDOF risks do not seem to have attracted their attention. Perhaps that was why in his ‘everything included’ speech, Modi did not mention this particular issue, even as he offered his condolences to those who died in the Sindhupalchok landslide.
But now, when he tries to—if he does, that is—implement what he has assured Nepal of, his administration will have to seriously consider landslides’ threat to river systems upstream. If the Sunkoshi disaster was not enough an alarm call, last year’s Uttarakhand floods should surely be. Thousands of people, their houses and infrastructures, including hydropower plants, were swept away while Nepal’s Darchula district also saw huge human and property losses.
In this case, India was upstream and Nepal was, to some extent, a downstream country. In the rest of the major river-systems, it is the other way round and India cannot afford to ignore that.

Eldery man loses 15 relatives to Sindhupalchok landslide

- When Ram Chandra Neupane, 66, of Thokarpa in Sindhupalchok came to know about the landslide in Jure on Saturday morning, he headed straight to the incident. “I prayed all along the way wishing to see all of my sister’s family members,” he said, while preparing for the last rites of his relatives at Pashupati Aryaghat on Thursday, “But I returned halfway as I soon found out that I lost 15 of my relatives in the disaster.”
As an older man among those who gathered there, Neupane was consoling other while making a failed attempt to keep tears rolling down his cheeks. Barely able to speak, he was telling others to accept fate as what happened cannot be undone.
The bereaved relatives had decided to perform the final rites of the dead en masse by using effigies made out of Kush, a holy grass, after it seemed certain that the bodies could not be recovered. “I am tired of comforting others as the burden is too much to bear for myself and I cannot see and listen to the cries,” he said.
The bereaved families of people who went missing in the landslide have started performing the final rites after the local administration declared 123 missing as dead. The administration came to the conclusion after taking into consideration the nature of the disaster and realising the slim chances of finding the bodies. Even the families of the missing were demanding such decision as they lost hope of finding the bodies.
Though only 33 bodies have been found so far, the declaration has spiked the death toll to 156. The massive landslide, one of the worst natural disasters to hit the nation in recent years, displaced approximately 436 people, according to the preliminary report of the District Administration Office in Sindhupalchowk.
Meanwhile, the bereaved and the displaced have vented their ire at the government for the delay in the distribution of relief materials. However, claiming that they distributing relief materials swiftly, District Police Office chief DSP Bharat Bohora said they distributed relief materials to 97 households and would try to provide them to the remaining at the earliest.

‘Chari’ killed in cold blood: Oli

 A day after police claimed that notorious gangster Dinesh Adhikari ‘ Chari ’ was shot dead in an encounter, new leads began to emerge on Thursday, exposing police inconsistencies.
In parliament, CPN-UML lawmakers demanded investigation into the death of Chari , whose body was found with four bullet wounds in Bhimdhunga, 7 km south of Kathmandu.
Relatives of the dead have claimed that police killed him in a fake encounter. Chari ’s supposed girlfriend Khusbu Oli, Miss Teen of 2006, told reporters on Wednesday that it was “revenge killing” from police inspector Kumud Dhungel. She said she repeatedly turned down the police officer’s attempt to court her.
“He [ Chari ] was online on Viber till the morning and changed his Viber picture twice,” said Oli, speaking to reporters at Tribhuvan University Teaching Hospital (TUTH) on Wednesday night.
But SSP Pushkar Karki, head of Metropolitan Police Crime Division, dismissed the allegations saying the police had responded in self-defence. He reiterated that the motorcycle-borne assailant had opened fire at the police.
Some have questioned the police narrative that Adhikari was shot in the chest while he was speeding away on a motorcycle, arguing that the bullets would have been lodged in his back in such a case. CPN-UML leaders claimed that Chari was caught in Kalanki. He was the UML’s Dhading district regional deputy chairperson.
In parliament, UML leaders from Dhading, Adhikari’s home district, demanded an independent enquiry into the incident. They have also called for suspension of SSP Karki “for staging a fake encounter”.
Doctors at TUTH said the autopsy had not been conducted until Thursday as the deceased’s family had to be present for the process.
UML leader Rajendra Pandey said that not a drop of blood was spotted at the scene where the gangster was claimed to have died in an encounter. “Police officials involved in the extra-judicial killing should be booked,” he demanded.
Another UML lawmaker, Guru Burlakoti asked the police to make public the details of its personnel said to have been injured in the cross-fire. Another UML lawmaker and former minister Ganga Lal Tuladhar said the killing was “pre-mediated.”
Prem Suwal of Nepal Majdoor Kisan Party said the killing reminded him of the Panchayat era when political prisoners were gunned down in cold blood, falsely charging them with attempt to flee during jail transfer.
Speaker Subas Nembang on Thursday asked Home Minister Bam Dev Gautam to apprise Parliament on the incident. His ruling followed an uproar in the House.
Meanwhile, over 200 UML supporters reached Balkhu to draw the party’s attention on the incident. In a meeting with Adhikari supporters at the UML headquarters on Thursday, UML Chairman Oli rubbished media reports of “encounter”, calling it an extra-judicial case of killing. “It was a pre-mediated fake encounter. An independent parliamentary panel should look into this matter,” said Oli.
Party workers met Home Minister Gautam, who is a UML vice-chairman, early in the morning, demanding suspension of SSP Karki.
Police have a number of cases against Adhikari of attempted murder, extortion, assault and possession of arms and running illegal business. Adhikari began his notorious deeds in 2003, abetting Kumar Shrestha “Ghainte” in Samakhusi. He broke with Ghainte in 2008 to operate his own “business”.
Adhikari was at large after a shooting incident in 2008. He surrendered in 2009 after the police had issued a shoot-at-sight order. He was released after nine months in jail.
Adhikari was in the spotlight on July 6 last year when he was shot at by one of his gang members, Radhe Bhandari. Police later arrested him too after it was revealed that a pistol used by Bhandari actually belonged to Chari .
Considered close to UML chief Oli, Adhikari’s involvement is suspected also in the shooting of Nepali Congress member Min Krishna Maharjan in Lalitpur earlier. The prime accused, Ramesh Bahun, was caught in India.

Russia hits back on sanctions; bans food from West

 Russia banned most food imports from the West on Thursday in retaliation for sanctions over Ukraine, an unexpectedly sweeping move that will cost farmers in North America, Europe and Australia billions of dollars but will also likely lead to empty shelves in Russia n cities.
The announcement shows that while President Vladimir Putin doesn't appear ready to heed Russia n nationalists' calls to send troops into Ukraine, he is prepared to inflict significant damage on his own nation in an economic war with the West.
The U.S. and the EU have accused Russia , which annexed Ukraine's Crimean Peninsula in March, of supplying arms and expertise to a pro-Moscow insurgency in eastern Ukraine, and have sanctioned individuals and companies in Russia in retaliation. Moscow denies supporting the rebels and accuses the West of blocking attempts at a political settlement by encouraging Kiev to use brutal force to crush the insurgency.
The ban, announced by a somber Prime Minister Dmitry Medvedev at a televised Cabinet meeting, covers all imports of meat, fish, fruit, vegetables, milk and milk products from the U.S., the European Union, Australia, Canada and Norway. It will last for one year.
"Until the last moment, we hoped that our foreign colleagues would understand that sanctions lead to a deadlock and no one needs them," Medvedev said. "But they didn't, and the situation now requires us to take retaliatory measures."
That retaliation, however, could hurt Russia as much as the West. Russia depends heavily on imported foodstuffs, most of it from Europe, particularly in Moscow and other large, prosperous cities. In 2013, the EU exported 11.8 billion euros ($15.8 billion) in agricultural goods to Russia , while the U.S. sent $1.3 billion in food and agricultural goods.
Chris Weafer, an analyst at Macro Advisory in Moscow, said the ban will likely speed up inflation and further cloud an already grim economic outlook. "Along with higher interest rates, higher food costs will mean that households have less money to spend and that will depress the economy," he said.
The Netherlands, one of the world's largest agricultural exporters, sends 1.5 billion euros' worth of agricultural products to Russia annually and stands among the countries with the most to lose.
Albert Jan Maat, chairman of the Dutch Federation of Agriculture and Horticulture, warned that theRussia n ban will cause prices to drop across Europe because of oversupply, and called on the Dutch government and the EU to help farmers. Exports to Russia account for about a tenth of EU agricultural exports.
"We're thinking of either removing products from the market or temporarily storing them," he said.
Xavier Beulin, president of the French farm union FNSEA, voiced similar concerns. "These are market losses, but there's also a chance that it will flood the European markets with summer crops that are no longer going to Russia and that could lower prices," he told the LCI television network.
A number of agricultural products have seen their prices fall following the Russia n ban. Among major products, wheat for September delivery fell 1.4 percent, while corn fell 1.1 percent.
EU Commission spokesman Frederic Vincent voiced regret about the ban. He said the Commission still has to assess the potential impact, and reserves "the right to take action as appropriate."
Medvedev argued that the ban would give Russia n farmers, who have struggled to compete with Western products, a good chance to increase their market share. But experts said local producers will find it hard to fill the gap left by the ban, as the nation's agricultural sector suffers from inefficiency and a shortage of funds.
Agriculture Minister Nikolai Fyodorov said the sector would need additional subsidies equivalent to $3.8 billion in the next few years to pump up production. The government may find it hard to increase funding as it tries to shore up the currency and support banks and companies affected by Western sanctions, which included an EU ban on long-term borrowing for key Russia n state banks.
While the government claimed it will move quickly to replace Western imports with food from Latin America, Turkey and ex-Soviet neighbors, analysts predicted shortages and price hikes. The damage to consumers will be particularly great in big cities like Moscow, where imported food fills an estimated 60-70 percent of the market.
Market watchers said consumers in the expensive food segment will suffer the most, losing access to goods like French cheeses and Parma ham, but others will also eventually feel the brunt as food variety will shrink and inflationary pressures increase. With retail chains stocked up for months ahead, the ban will take time to hurt, however.
The measure led to sardonic comments across Russia n online media and liberal blogs, bringing reminiscences of empty store shelves during the Soviet times, but there was no immediate indication of consumers trying to stock up.
Russia n stock indexes initially fell by about 1.5 percent on the news before recovering most of the losses a few hours later.
Medvedev said Russia hopes the ban will stop the West from ramping up sanctions, which it has done several times this year as the crisis in Ukraine has deepened.
"We didn't want such developments, and I sincerely hope that our partners will put a pragmatic economic approach above bad policy considerations," he said. He said Russia 's ban could be lifted before the year is up if "our partners show a constructive approach."
Weafer said that the import ban was obviously aimed at discouraging the EU from imposing further sanctions. "It was already quite difficult to get the consensus for the last round of sanctions, but now there that there are clearly consequences, especially for some countries more than others, it will make it even more difficult," he said.
If the West doesn't change course, Russia may introduce restrictions on the import of planes, navy vessels, cars and other industrial products, Medvedev warned. He also said that in response to EU sanctions against Russia n low-cost airline Dobrolet, Russia is also considering a ban on Western carriers flying over Russia on flights to and from Asia, which would significantly swell costs and increase flight time.

Implement 7-point deal: UML chief tells Koirala

The CPN-UML has asked Prime Minister Sushil Koirala to appoint officials at various constitutional bodies and implement the seven-point agreement signed between the coalition partners before he was elected as the chief executive.
UML Chairman KP Sharma Oli met with Koirala on Thursday evening after leaders during the party’s office bearers’ meeting expressed dismay at the government’s performance and demanded the implementation of the seven-point agreement.
In the meeting, UML ministers raised the issue of non-cooperation from the prime minister and demanded that the seven-point agreement be implemented without further delay. UML leaders also complained that efforts taken by Health and Population Minister Khagraj Adhikari for the appointment of officials at the National Academy of Medical Sciences (NAMS) and Foreign Affairs Minister Mahendra Bahadur Pandey’s bid to fill ambassadorial positions were halted due to non-cooperation from the prime ministerial level.
“Ministers from our party are not allowed to work freely and questions have been raised against government regarding the effectiveness of the government,” UML Secretary Pradeep Gyawali said, adding, “So, our party chief raised this issue with the prime minister and we are reviewing it at the higher level.” According to Gyawali, the Health minister had recommended candidates to be appointed at NAMS some two months ago but the prime minister put the proposal on hold.
He said the party is preparing to review government’s activities at the higher level and discuss them in the context of delay in the implementation of the seven-point deal, particularly the re-endorsement of the President and Vice President.
Oli had left for PM’s residence in Baluwatar in the middle of meeting to discuss the matters with him. UML Vice-chairperson Bam Dev Gautam and Nepali Congress leader Krishna Prasad Sitaula were also present at the meeting in Baluwatar. At the meeting, leaders from both the parties agreed to speed up the constitution writing process and make appointments to various government bodies.
In the absence of political understanding, the government has failed to appoint
26 lawmakers at the Constituent Assembly, fill ambassadorial posts at 16
diplomatic missions and various ministries as well as the health services at Bir Hospital have been affected owing to delay in office bearers’ appointment. The UML has also summoned its ministers to the office bearers’ meeting scheduled for Friday to discuss their work and related obstacles.

Thursday, August 7, 2014

Biography of William Shakespeare

an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others.

Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.

Many of his plays were published in editions of varying quality and accuracy during his lifetime. In 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's.

Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the 19th century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the 20th century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world.

Life

Early life

William Shakespeare was the son of John Shakespeare, an alderman and a successful glover originally from Snitterfield, and Mary Arden, the daughter of an affluent landowning farmer. He was born in Stratford-upon-Avon and baptised there on 26 April 1564. His actual birthdate remains unknown, but is traditionally observed on 23 April, St George's Day. This date, which can be traced back to an 18th-century scholar's mistake, has proved appealing to biographers, since Shakespeare died 23 April 1616. He was the third child of eight and the eldest surviving son.

Although no attendance records for the period survive, most biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile from his home. Grammar schools varied in quality during the Elizabethan era, but the curriculum was dictated by law throughout England, and the school would have provided an intensive education in Latin grammar and the classics.

At the age of 18, Shakespeare married the 26-year-old Anne Hathaway. The consistory court of the Diocese of Worcester issued a marriage licence 27 November 1582. The next day two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded the marriage. The ceremony may have been arranged in some haste, since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna, baptised 26 May 1583. Twins, son Hamnet and daughter Judith, followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at the age of 11 and was buried 11 August 1596.

After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592, and scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years". Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe, Shakespeare’s first biographer, recounted a Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy. Shakespeare is also supposed to have taken his revenge on Lucy by writing a scurrilous ballad about him. Another 18th-century story has Shakespeare starting his theatrical career minding the horses of theatre patrons in London. John Aubrey reported that Shakespeare had been a country schoolmaster. Some 20th-century scholars have suggested that Shakespeare may have been employed as a schoolmaster by Alexander Hoghton of Lancashire, a Catholic landowner who named a certain "William Shakeshafte" in his will. No evidence substantiates such stories other than hearsay collected after his death, and Shakeshafte was a common name in the Lancashire area.

London and Theatrical Career

It is not known exactly when Shakespeare began writing, but contemporary allusions and records of performances show that several of his plays were on the London stage by 1592. He was well enough known in London by then to be attacked in print by the playwright Robert Greene in his Groats-Worth of Wit:

...there is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide, supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.

Scholars differ on the exact meaning of these words, but most agree that Greene is accusing Shakespeare of reaching above his rank in trying to match university-educated writers such as Christopher Marlowe, Thomas Nashe and Greene himself (the "university wits"). The italicised phrase parodying the line "Oh, tiger's heart wrapped in a woman's hide" from Shakespeare's Henry VI, Part 3, along with the pun "Shake-scene", identifies Shakespeare as Greene's target. Here Johannes Factotum—"Jack of all trades"— means a second-rate tinkerer with the work of others, rather than the more common "universal genius".

Greene's attack is the earliest surviving mention of Shakespeare’s career in the theatre. Biographers suggest that his career may have begun any time from the mid-1580s to just before Greene's remarks. From 1594, Shakespeare's plays were performed only by the Lord Chamberlain's Men, a company owned by a group of players, including Shakespeare, that soon became the leading playing company in London. After the death of Queen Elizabeth in 1603, the company was awarded a royal patent by the new king, James I, and changed its name to the King's Men.

In 1599, a partnership of company members built their own theatre on the south bank of the River Thames, which they called the Globe. In 1608, the partnership also took over the Blackfriars indoor theatre. Records of Shakespeare's property purchases and investments indicate that the company made him a wealthy man. In 1597, he bought the second-largest house in Stratford, New Place, and in 1605, he invested in a share of the parish tithes in Stratford.

Some of Shakespeare's plays were published in quarto editions from 1594. By 1598, his name had become a selling point and began to appear on the title pages. Shakespeare continued to act in his own and other plays after his success as a playwright. The 1616 edition of Ben Jonson's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). The absence of his name from the 1605 cast list for Jonson’s Volpone is taken by some scholars as a sign that his acting career was nearing its end. The First Folio of 1623, however, lists Shakespeare as one of "the Principal Actors in all these Plays", some of which were first staged after Volpone, although we cannot know for certain which roles he played. In 1610, John Davies of Hereford wrote that "good Will" played "kingly" roles. In 1709, Rowe passed down a tradition that Shakespeare played the ghost of Hamlet's father. Later traditions maintain that he also played Adam in As You Like It and the Chorus in Henry V, though scholars doubt the sources of the information.

Shakespeare divided his time between London and Stratford during his career. In 1596, the year before he bought New Place as his family home in Stratford, Shakespeare was living in the parish of St. Helen's, Bishopsgate, north of the River Thames. He moved across the river to Southwark by 1599, the year his company constructed the Globe Theatre there. By 1604, he had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. There he rented rooms from a French Huguenot called Christopher Mountjoy, a maker of ladies' wigs and other headgear.

Later Years and Death

Rowe was the first biographer to pass down the tradition that Shakespeare retired to Stratford some years before his death; but retirement from all work was uncommon at that time; and Shakespeare continued to visit London. In 1612 he was called as a witness in a court case concerning the marriage settlement of Mountjoy's daughter, Mary. In March 1613 he bought a gatehouse in the former Blackfriars priory; and from November 1614 he was in London for several weeks with his son-in-law, John Hall.

After 1606–1607, Shakespeare wrote fewer plays, and none are attributed to him after 1613. His last three plays were collaborations, probably with John Fletcher, who succeeded him as the house playwright for the King’s Men.

Shakespeare died on 23 April 1616 and was survived by his wife and two daughters. Susanna had married a physician, John Hall, in 1607, and Judith had married Thomas Quiney, a vintner, two months before Shakespeare’s death.

In his will, Shakespeare left the bulk of his large estate to his elder daughter Susanna. The terms instructed that she pass it down intact to "the first son of her body". The Quineys had three children, all of whom died without marrying. The Halls had one child, Elizabeth, who married twice but died without children in 1670, ending Shakespeare’s direct line. Shakespeare's will scarcely mentions his wife, Anne, who was probably entitled to one third of his estate automatically. He did make a point, however, of leaving her "my second best bed", a bequest that has led to much speculation. Some scholars see the bequest as an insult to Anne, whereas others believe that the second-best bed would have been the matrimonial bed and therefore rich in significance.

Shakespeare was buried in the chancel of the Holy Trinity Church two days after his death. The epitaph carved into the stone slab covering his grave includes a curse against moving his bones, which was carefully avoided during restoration of the church in 2008:

Good frend for Iesvs sake forbeare,

To digg the dvst encloased heare.

Bleste be ye man yt spares thes stones,

And cvrst be he yt moves my bones.

Modern spelling:

"Good friend, for Jesus' sake forbear,"

"To dig the dust enclosed here."

"Blessed be the man that spares these stones,"

"And cursed be he who moves my bones."

Sometime before 1623, a funerary monument was erected in his memory on the north wall, with a half-effigy of him in the act of writing. Its plaque compares him to Nestor, Socrates, and Virgil. In 1623, in conjunction with the publication of the First Folio, the Droeshout engraving was published.

Shakespeare has been commemorated in many statues and memorials around the world, including funeral monuments in Southwark Cathedral and Poets' Corner in Westminster Abbey.

Plays

Most playwrights of the period typically collaborated with others at some point, and critics agree that Shakespeare did the same, mostly early and late in his career. Some attributions, such as Titus Andronicus and the early history plays, remain controversial, while The Two Noble Kinsmen and the lost Cardenio have well-attested contemporary documentation. Textual evidence also supports the view that several of the plays were revised by other writers after their original composition.

The first recorded works of Shakespeare are Richard III and the three parts of Henry VI, written in the early 1590s during a vogue for historical drama. Shakespeare's plays are difficult to date, however, and studies of the texts suggest that Titus Andronicus, The Comedy of Errors, The Taming of the Shrew and The Two Gentlemen of Verona may also belong to Shakespeare’s earliest period. His first histories, which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland, dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty. The early plays were influenced by the works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe, by the traditions of medieval drama, and by the plays of Seneca. The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it is related to a separate play of the same name and may have derived from a folk story. Like The Two Gentlemen of Verona, in which two friends appear to approve of rape, the Shrew's story of the taming of a woman's independent spirit by a man sometimes troubles modern critics and directors.

Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic, and comic lowlife scenes. Shakespeare's next comedy, the equally romantic Merchant of Venice, contains a portrayal of the vengeful Jewish moneylender Shylock, which reflects Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado About Nothing, the charming rural setting of As You Like It, and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After the lyrical Richard II, written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, parts 1 and 2, and Henry V. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet, the famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar—based on Sir Thomas North's 1579 translation of Plutarch's Parallel Lives—which introduced a new kind of drama. According to Shakespearean scholar James Shapiro, in Julius Caesar "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on the act of writing, began to infuse each other".

In the early 17th century, Shakespeare wrote the so-called "problem plays" Measure for Measure, Troilus and Cressida, and All's Well That Ends Well and a number of his best known tragedies. Many critics believe that Shakespeare's greatest tragedies represent the peak of his art. The titular hero of one of Shakespeare's most famous tragedies, Hamlet, has probably been discussed more than any other Shakespearean character, especially for his famous soliloquy "To be or not to be; that is the question". Unlike the introverted Hamlet, whose fatal flaw is hesitation, the heroes of the tragedies that followed, Othello and King Lear, are undone by hasty errors of judgement. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello, the villain Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear, the old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter Cordelia. According to the critic Frank Kermode, "the play offers neither its good characters nor its audience any relief from its cruelty". In Macbeth, the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne, until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot.

In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline, The Winter's Tale and The Tempest, as well as the collaboration, Pericles, Prince of Tyre. Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of a more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen, probably with John Fletcher.

Performances

It is not clear for which companies Shakespeare wrote his early plays. The title page of the 1594 edition of Titus Andronicus reveals that the play had been acted by three different troupes. After the plagues of 1592–3, Shakespeare's plays were performed by his own company at The Theatre and the Curtain in Shoreditch, north of the Thames. Londoners flocked there to see the first part of Henry IV, Leonard Digges recording, "Let but Falstaff come, Hal, Poins, the rest...and you scarce shall have a room".] When the company found themselves in dispute with their landlord, they pulled The Theatre down and used the timbers to construct the Globe Theatre, the first playhouse built by actors for actors, on the south bank of the Thames at Southwark. The Globe opened in autumn 1599, with Julius Caesar one of the first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet, Othello and King Lear.

After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James. Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November 1604 and 31 October 1605, including two performances of The Merchant of Venice. After 1608, they performed at the indoor Blackfriars Theatre during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean fashion for lavishly staged masques, allowed Shakespeare to introduce more elaborate stage devices. In Cymbeline, for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees."

The actors in Shakespeare's company included the famous Richard Burbage, William Kempe, Henry Condell and John Heminges. Burbage played the leading role in the first performances of many of Shakespeare's plays, including Richard III, Hamlet, Othello, and King Lear. The popular comic actor Will Kempe played the servant Peter in Romeo and Juliet and Dogberry in Much Ado About Nothing, among other characters. He was replaced around the turn of the 16th century by Robert Armin, who played roles such as Touchstone in As You Like It and the fool in King Lear. In 1613, Sir Henry Wotton recorded that Henry VIII "was set forth with many extraordinary circumstances of pomp and ceremony". On 29 June, however, a cannon set fire to the thatch of the Globe and burned the theatre to the ground, an event which pinpoints the date of a Shakespeare play with rare precision.

Textual Sources

In 1623, John Heminges and Henry Condell, two of Shakespeare's friends from the King's Men, published the First Folio, a collected edition of Shakespeare's plays. It contained 36 texts, including 18 printed for the first time. Many of the plays had already appeared in quarto versions—flimsy books made from sheets of paper folded twice to make four leaves. No evidence suggests that Shakespeare approved these editions, which the First Folio describes as "stol'n and surreptitious copies". Alfred Pollard termed some of them "bad quartos" because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory. Where several versions of a play survive, each differs from the other. The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers. In some cases, for example Hamlet, Troilus and Cressida and Othello, Shakespeare could have revised the texts between the quarto and folio editions. In the case of King Lear, however, while most modern additions do conflate them, the 1623 folio version is so different from the 1608 quarto, that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion.

Poems

In 1593 and 1594, when the theatres were closed because of plague, Shakespeare published two narrative poems on erotic themes, Venus and Adonis and The Rape of Lucrece. He dedicated them to Henry Wriothesley, Earl of Southampton. In Venus and Adonis, an innocent Adonis rejects the sexual advances of Venus; while in The Rape of Lucrece, the virtuous wife Lucrece is raped by the lustful Tarquin. Influenced by Ovid's Metamorphoses, the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint, in which a young woman laments her seduction by a persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint. Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle, printed in Robert Chester's 1601 Love's Martyr, mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove. In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim, published under Shakespeare's name but without his permission.

Sonnets

Published in 1609, the Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorised sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that the published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with the sonnets "Shakespeare unlocked his heart". The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems.

It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe, whose initials appear at the foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorised the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time.

Style

Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted.

Soon, however, Shakespeare began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama. At the same time, Richard’s vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the drama itself.

Shakespeare's standard poetic form was blank verse, composed in iambic pentameter. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at the end of lines, with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet. Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind:

Sir, in my heart there was a kind of fighting

That would not let me sleep. Methought I lay

Worse than the mutines in the bilboes. Rashly—

And prais'd be rashness for it—let us know

Our indiscretion sometimes serves us well...

Hamlet, Act 5, Scene 2, 4–8

After Hamlet, Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines, irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth, for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "...pity, like a naked new-born babe/ Striding the blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity.

Shakespeare combined poetic genius with a practical sense of the theatre. Like all playwrights of the time, he dramatised stories from sources such as Plutarch and Holinshed. He reshaped each plot to create several centres of interest and to show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting and wide interpretation without loss to its core drama. As Shakespeare’s mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in the later plays, however. In Shakespeare's late romances, he deliberately returned to a more artificial style, which emphasised the illusion of theatre.

Influence

Shakespeare's work has made a lasting impression on later theatre and literature. In particular, he expanded the dramatic potential of characterisation, plot, language, and genre. Until Romeo and Juliet, for example, romance had not been viewed as a worthy topic for tragedy. Soliloquies had been used mainly to convey information about characters or events; but Shakespeare used them to explore characters' minds. His work heavily influenced later poetry. The Romantic poets attempted to revive Shakespearean verse drama, though with little success. Critic George Steiner described all English verse dramas from Coleridge to Tennyson as "feeble variations on Shakespearean themes."

Shakespeare influenced novelists such as Thomas Hardy, William Faulkner, and Charles Dickens. The American novelist Herman Melville's soliloquies owe much to Shakespeare; his Captain Ahab in Moby-Dick is a classic tragic hero, inspired by King Lear. Scholars have identified 20,000 pieces of music linked to Shakespeare's works. These include two operas by Giuseppe Verdi, Otello and Falstaff, whose critical standing compares with that of the source plays. Shakespeare has also inspired many painters, including the Romantics and the Pre-Raphaelites. The Swiss Romantic artist Henry Fuseli, a friend of William Blake, even translated Macbeth into German. The psychoanalyst Sigmund Freud drew on Shakespearean psychology, in particular that of Hamlet, for his theories of human nature.

In Shakespeare's day, English grammar, spelling and pronunciation were less standardised than they are now, and his use of language helped shape modern English. Samuel Johnson quoted him more often than any other author in his A Dictionary of the English Language, the first serious work of its type. Expressions such as "with bated breath" (Merchant of Venice) and "a foregone conclusion" (Othello) have found their way into everyday English speech.

Critical Reputation

Shakespeare was not revered in his lifetime, but he received his share of praise. In 1598, the cleric and author Francis Meres singled him out from a group of English writers as "the most excellent" in both comedy and tragedy. And the authors of the Parnassus plays at St John's College, Cambridge, numbered him with Chaucer, Gower and Spenser. In the First Folio, Ben Jonson called Shakespeare the "Soul of the age, the applause, delight, the wonder of our stage", though he had remarked elsewhere that "Shakespeare wanted art".

Between the Restoration of the monarchy in 1660 and the end of the 17th century, classical ideas were in vogue. As a result, critics of the time mostly rated Shakespeare below John Fletcher and Ben Jonson. Thomas Rymer, for example, condemned Shakespeare for mixing the comic with the tragic. Nevertheless, poet and critic John Dryden rated Shakespeare highly, saying of Jonson, "I admire him, but I love Shakespeare". For several decades, Rymer's view held sway; but during the 18th century, critics began to respond to Shakespeare on his own terms and acclaim what they termed his natural genius. A series of scholarly editions of his work, notably those of Samuel Johnson in 1765 and Edmond Malone in 1790, added to his growing reputation. By 1800, he was firmly enshrined as the national poet. In the 18th and 19th centuries, his reputation also spread abroad. Among those who championed him were the writers Voltaire, Goethe, Stendhal and Victor Hugo.

During the Romantic era, Shakespeare was praised by the poet and literary philosopher Samuel Taylor Coleridge; and the critic August Wilhelm Schlegel translated his plays in the spirit of German Romanticism. In the 19th century, critical admiration for Shakespeare's genius often bordered on adulation. "That King Shakespeare," the essayist Thomas Carlyle wrote in 1840, "does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying signs; indestructible". The Victorians produced his plays as lavish spectacles on a grand scale. The playwright and critic George Bernard Shaw mocked the cult of Shakespeare worship as "bardolatry". He claimed that the new naturalism of Ibsen's plays had made Shakespeare obsolete.

The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde. The Expressionists in Germany and the Futurists in Moscow mounted productions of his plays. Marxist playwright and director Bertolt Brecht devised an epic theatre under the influence of Shakespeare. The poet and critic T. S. Eliot argued against Shaw that Shakespeare's "primitiveness" in fact made him truly modern. Eliot, along with G. Wilson Knight and the school of New Criticism, led a movement towards a closer reading of Shakespeare's imagery. In the 1950s, a wave of new critical approaches replaced modernism and paved the way for "post-modern" studies of Shakespeare. By the eighties, Shakespeare studies were open to movements such as structuralism, feminism, New Historicism, African American studies, and queer studies.

Speculation about Shakespeare

Authorship

Main article: Shakespeare authorship question

Around 150 years after Shakespeare's death, doubts began to be expressed about the authorship of the works attributed to him. Proposed alternative candidates include Francis Bacon, Christopher Marlowe, and Edward de Vere, 17th Earl of Oxford. Several "group theories" have also been proposed. Only a small minority of academics believe there is reason to question the traditional attribution, but interest in the subject, particularly the Oxfordian theory of Shakespeare authorship, continues into the 21st century.

Religion

Some scholars claim that members of Shakespeare's family were Catholics, at a time when Catholic practice was against the law. Shakespeare's mother, Mary Arden, certainly came from a pious Catholic family. The strongest evidence might be a Catholic statement of faith signed by John Shakespeare, found in 1757 in the rafters of his former house in Henley Street. The document is now lost, however, and scholars differ as to its authenticity. In 1591 the authorities reported that John Shakespeare had missed church "for fear of process for debt", a common Catholic excuse. In 1606 the name of William's daughter Susanna appears on a list of those who failed to attend Easter communion in Stratford. Scholars find evidence both for and against Shakespeare's Catholicism in his plays, but the truth may be impossible to prove either way.

Sexuality

Few details of Shakespeare's sexuality are known. At 18, he married the 26-year-old Anne Hathaway, who was pregnant. Susanna, the first of their three children, was born six months later on 26 May 1583. Over the centuries some readers have posited that Shakespeare's sonnets are autobiographical, and point to them as evidence of his love for a young man. Others read the same passages as the expression of intense friendship rather than sexual love. The 26 so-called "Dark Lady" sonnets, addressed to a married woman, are taken as evidence of heterosexual liaisons.

Portraiture

There is no written description of Shakespeare's physical appearance and no evidence that he ever commissioned a portrait, so the Droeshout engraving, which Ben Jonson approved of as a good likeness, and his Stratford monument provide the best evidence of his appearance. From the 18th century, the desire for authentic Shakespeare portraits fuelled claims that various surviving pictures depicted Shakespeare. That demand also led to the production of several fake portraits, as well as misattributions, repaintings and relabelling of portraits of other people.

William Shakespeare's Works:

List of Works

Classification of The Plays

Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed below according to their folio classification as comedies, histories and tragedies. Two plays not included in the First Folio, The Two Noble Kinsmen and Pericles, Prince of Tyre, are now accepted as part of the canon, with scholars agreed that Shakespeare made a major contribution to their composition. No Shakespearean poems were included in the First Folio.

In the late 19th century, Edward Dowden classified four of the late comedies as romances, and though many scholars prefer to call them tragicomedies, his term is often used. These plays and the associated Two Noble Kinsmen are marked with an asterisk (*) below. In 1896, Frederick S. Boas coined the term "problem plays" to describe four plays: All's Well That Ends Well, Measure for Measure, Troilus and Cressida and Hamlet. "Dramas as singular in theme and temper cannot be strictly called comedies or tragedies", he wrote. "We may therefore borrow a convenient phrase from the theatre of today and class them together as Shakespeare's problem plays." The term, much debated and sometimes applied to other plays, remains in use, though Hamlet is definitively classed as a tragedy. The other problem plays are marked below with a double dagger.

Plays thought to be only partly written by Shakespeare are marked with a dagger below. Other works occasionally attributed to him are listed as apocrypha.

Comedies

All's Well That Ends Well
As You Like It
The Comedy of Errors
Love's Labour's Lost
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
A Midsummer Night's Dream
Much Ado About Nothing
Pericles, Prince of Tyre
The Taming of the Shrew
The Tempest
Twelfth Night
The Two Gentlemen of Verona
The Two Noble Kinsmen
The Winter's Tale

Poems

Shakespeare's sonnets
Venus and Adonis
The Rape of Lucrece
The Passionate Pilgrim
The Phoenix and the Turtle
A Lover's Complaint

Histories

King John
Richard II
Henry IV, Part 1
Henry IV, Part 2
Henry V
Henry VI, Part 1
Henry VI, Part 2
Henry VI, Part 3
Richard III
Henry VIII

Lost Plays

Love's Labour's Won
The History of Cardenio

Tragedies

Romeo and Juliet
Coriolanus
Titus Andronicus
Timon of Athens
Julius Caesar
Macbeth
Hamlet
Troilus and Cressida
King Lear
Othello
Antony and Cleopatra
Cymbeline

Apocrypha

Arden of Faversham
The Birth of Merlin
Edward III
Locrine
The London Prodigal
The Puritan
The Second Maiden's Tragedy
Sir John Oldcastle
Thomas Lord Cromwell
A Yorkshire Tragedy
Sir Thomas More